eNotes critical analyses help you gain a deeper understanding of Ode to a Nightingale … BY JULIE ANNA LEWIS. Keats’s use of this literary tradition is exemplified in Endymion, where the nightingale, perched high among the leaves, “sings but to her love,” and the summer melody which the bird in “Ode to a Nightingale” sings with “full-throated ease” is a symbol for the passion Keats yearned to … Rhyme Scheme: ababcdecde; Meter: iambic pentameter except for the eighth line of each stanza which is iambic trimeter–why? Ode to a Nightingale, poem in eight stanzas by John Keats, published in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820). There is a fundamental paradox in the poem. Although the poem is regular in form, it leaves the impression of being a kind of rhapsody; Keats is allowing his thoughts and emotions free expression. “Ode to a Nightingale” is a poem by John Keats written in May 1819 in either the garden of the Spaniards Inn, or, as according to Keats’ friend Charles Armitage Brown, under a plum tree in the garden of Keats House Hampstead, London. Ode to a Nightingale: analysis. The ode’s central scene depicts a “fair youth” chasing his beloved. In that ode, Keats offers scenes painted on an urn. The "Ode to a Nightingale" is a regular ode. Analysis of “Ode to a Nightingale” The following facts and observations were gathered during an analysis of “Ode to a Nightingale” by John Keats. The wish for transcendence adopts an arousing vision for the second-generation Romantic poets, as they strongly believed in the healing power of the imagination and the ability to escape real life with their creative thoughts. Music Composed by Mark Bradshaw from the 2009 Original Motion Picture Soundtrack. In this third stanza of “Ode to a Nightingale,” the speaker faces the transient reality of … Rhyme Scheme: ababcdecde; Meter: iambic pentameter except for the eighth line of each stanza which is iambic trimeter–why? away! Discussion of themes and motifs in John Keats' Ode to a Nightingale. PARA 1: The Imagination has the ability connect an individual to natural worlds. ‘Darkling I listen; and, for many a time I have been half in love with easeful Death’ –Keats, Ode to a Nightingale, l.51-52. It’s worth recalling that there is a longstanding tradition whereby the song of the nightingale is likened to the ‘song’ of the poet: in this sense, then, ‘Ode to a Nightingale’ can be analysed as an encounter between two ‘singers’ or ‘poets’, … for I will fly to thee…on the viewless wings of Poesy”. ; Stanza 1: Poet is depressed (this is a disturbing pattern with Keats). All eight stanzas have ten pentameter lines and a uniform rhyme scheme. It is a meditation upon art and life inspired by the song of a nightingale that has made a nest in the poet’s garden. The following facts and observations were gathered during an analysis of “Ode to a Nightingale” by John Keats. In stanza 3 he says, “Away! The passion of the chase, the fairness of the youth, and the beauty of the beloved are all frozen for eternity. In “Ode to a Nightingale, ” the speaker John Keats longs to escape reality and to be in the world of the Nightingale. Stanza 1: Poet is depressed (this is a disturbing pattern with Keats). On the one hand the nightingale’s song is seen as offering relief from the day-to-day pains of living – ‘the weariness, the fever and the fret’; on the other hand the ‘immortality’ of the bird and the eternal nature of its song makes Keats painfully aware of human transience and the fragility of his own life. 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